Assignment- Critical or political art can be equally as visceral and powerful as conventiona

Critical or political art can be equally as visceral and powerful as conventional or colonized notions of beauty (e.g., Banksy’s Dismaland, Finkelstein et al.’s Silence=Death, Dustin Klein’s No Justice No Peace). How do notions of beauty reflect the social and cultural period in which we live? Is conventional beauty at odds with critical–political engagement?